Robbie Robertson of The Band dies at 80


Robbie Robertson, guitarist and main songwriter of the seminal rock group The Band, has died, his manager said in a statement. He was 80 years old.

(FILES) Robbie Robertson attends the “Once Were Brothers: Robbie Robertson and the Band” press conference during the 2019 Toronto International Film Festival at TIFF Bell Lightbox in Toronto, Ontario, Canada, on September 05, 2019. Robbie Robertson, guitarist and main songwriter of the seminal rock group The Band, has died, the trade publication variety said on August 9, 2023, citing his manager. He was 80 years old. (Photo by KEVIN WINTER / GETTY IMAGES NORTH AMERICA / AFP)

As the ringleader of the Canadian-American group, Robertson penned The Band’s most iconic songs including “The Weight,” “The Night They Drove Ol’ Dixie Down” and “Up On Cripple Creek.”

His manager said in a statement Robertson was surrounded by family at the time of his death, which followed “a long illness.”

Prior to his work and leadership with The Band, Robertson was a key collaborator with none other than Bob Dylan, touring with him and playing on the album “Blonde on Blonde.”

Born July 5, 1943 in Toronto, Canada with both Mohawk and Jewish roots, Robertson worked on traveling carnivals in his early teenage years, before joining, and starting a variety of bands.

“I’ve been playing guitar for so long I can’t remember when I started,” he told Rolling Stone magazine in 1968. “I guess I got into rock and roll like everybody else.”

He joined the backing band of Ronnie Hawkins, a rockabilly star, when he was just 16, where he eventually met fellow musicians Rick Danko, Garth Hudson, Richard Manuel and Levon Helm.

The group formed a strong bond, and they became Dylan’s backing band in the mid-1960s for his infamous first electric tour.

They also played with the icon on his much-bootlegged “basement tapes.”

– ‘The Last Waltz’ –
After several name changes, the musicians became known as The Band.

Robertson’s history-minded compositions were masterful yarns that evoked the wilds of America and the characters who colored them, and in particular focused on the American South.

“The Weight” is a regular on all-time greatest songs lists. A folk tune with country and gospel elements as well as Biblical allusion, it’s considered a classic of the American songbook.

The group played Woodstock and cut a string of albums including “Music from Big Pink,” “The Band” and “Cahoots.”

The Band split up in 1976 with a farewell concert in San Francisco, immortalized on film by director Martin Scorsese in “The Last Waltz.”

The film, theatrically released in 1978, has become known as a critically acclaimed pioneering rock documentary.

It also ushered in Robertson’s longtime collaboration and friendship with Scorsese, who hired the guitarist as a musical supervisor on a string of his films including “Casino” and “Gangs of New York.”

At the time of his death Robertson had been working on a follow-up to his memoir “Testimony,” and had just completed scoring Scorsese’s “Killers of The Flower Moon” which is set for release this fall.

Hailing his friend as “a giant,” Scorsese called Robertson “a constant in my life and work.”

“Long before we ever met, his music played a central role in my life — me and millions and millions of other people all over this world. The Band’s music, and Robbie’s own later solo music, seemed to come from the deepest place at the heart of this continent, its traditions and tragedies and joys,” Scorsese said in a statement.

“His effect on the art form was profound and lasting.”

Robertson didn’t tour again after “The Last Waltz” but did release a string of solo albums starting in 1987, when he dropped “Robbie Robertson.”

He remained a beloved figure of American rock and folk, both for his guitar chops and his poetry.

“I thought of a couple of words that led to a couple more,” he told Rolling Stone in 1969, asked how he penned the classic “The Weight.”

“The next thing I know I wrote the song,” Robertson continued. “We just figured it was a simple song, and when it came up we gave it a try and recorded it three or four times.”

“We didn’t even know if we were going to use it.”