Firebird and other ballets: A visual, musical spectacle at the CCP

The Firebird has been reworked drawing inspiration from the Philippine Adarna and Sarimanok.

 

Caesar Vallejos

EBC Correspondent

They flew, fluttered and floated with invisible wings in a flight to push the boundaries of Philippine dance.

Ballet Philippines, the country’s flagship classical and contemporary dance company opened its 47th performance season with “FIREBIRD and other ballets”, a mixed bill of contemporary and neoclassical works.

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Costume designer Mark Lewis Higgins highlights the rich, multicultural and lavish period of the prehistory of Philippine gold.

It featured the pieces by David Campos, Dwight Rodrigazo, and Carlo Pacis, and an all-new “Firebird”, choreographed by George Birkadze.

“Birds, dragons, fairies and angels fascinate us with their ability to rise above the earth to soar and fly. Our desire for flight mirros our wish to transcend our lives, to break through and experience an enriched version of our selves,” Ballet Philippines Artistic Director Paul Alexander Morales explained in his message.

Asian inspiration

Russian-born choreographer George Birkadze reimagines the Russian folk tale of “The Firebird” and brings it into a pre-Hispanic Philippine setting.  “My ‘Firebird’ is from an Asian perspective. I took some inspiration for the Philippine Sarimanok and Ibong Adarna, Chinese phoenix and Indian peacock,” Birkadze noted.

Painter Mark Lewis Higgins, taking inspiration from historical documents such as the Boxer Codex, and using elements such as gold, spices, and porcelain designed the ballet’s costumes. His sketches were on display at the CCP Lobby.

‘Do not look any further’

Denise Parungao, Sarah Alejandro, Stephanie Cabral, and Jemima Reyes in Ne Neh Ledej - photo by Justin Bella Alonte
Ne Neh Le Dej

Renowned Spanish choreographer David Campos draws from the company’s unique strengths as he reworks “Ne Neh Ledej” for the cast. The title means “do not look any further” in Czechoslovakian language.

Lester Reguindin and Katrene San Miguel in Dwight Rodrigazo's Moving Two - photo by Justin Bella Alonte
Moving Two
Victor Maguad and Jemima Reyes in Carlo Pacis' Weighted Whispers - photo by Justin Bella Alonte
Weighted Whispers

 

 

 

 

 

 

 

 

 

 

 

The classic aesthetics of refined white suits represented by tutus and pointe shoes shake hands with other wonderful and mysterious and exotic cultures.

“Moving Two” by Dwight Rodrigazo is a contemporary pas de deux originally choreographed for Jean Marc Cordero and Candice Adea after their victory at the USA International Ballet Competition in 2011.

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Ballet Philippines Foundation President Margie Moran Floreindo with the Australian Ambassador to the Philippines Amanda Gorely.

Carlo Pacis’ “Weighted Whispers” explores a complicated situation wherein a woman has to make decisions that have deep and lasting consequences.

Among the other collaborators include Maestro Olivier Ochanine and the Philippine Philharmonic Orchestra who recently conducted the first Filipino orchestra performance at the world-renowned Carnegie Hall in New York.

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The author with Inquirer columnist and socialite Tessa Prieto-Valdes.